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CV

born in 1992. Lives and works in Budapest

Education

2011-2013 Sociology, University of Vienna, Austria

2013-2017 Media Design, Moholy-Nagy University of Art and Design (MOME), Budapest, Hungary

2016-2017 Erasmus+ Program, Momentum Gallery, Berlin / Zönotéka, Berlin

2017 BA Degree, Media Designer, Moholy-Nagy University of Art and Design (MOME)

Exhibitions, Residencies and Awards

2016 Határvalóság (Border Reality), group exhibition, aqb Project Space, Budapest

Balkon Contemporary Art Magazin 2016, edition 6.

https://designisso.com/2016

2020 Nemzeti Trip / Halluti Nation (shortfilm) co director, animator

https://www.imdb.com/title/tt13397560/

https://24.hu/elet-stilus/2020/12/22/kadar-janos-lsd-ivoviz-aldokumentumfilm/

2021 Friss Hús International Short Film Festival - Balagán – Lovas Nándor Award for Best Film Concept at the Pitch Forum

2022–present Artistic Practice - Visual art practice focused on painting

(previously working primarily in digital and animation-based media)

2023 If there’s a Common thread vol1. Sehsaal, Vienna, Austria

2023 If there’s a Common thread vol2. Ady 25 Gallery, Budapest, Hungary

2024 If there’s a Common thread vol 3. Studio 616, New York City, USA

2024 If there’s a Common thread vol 4. Bunker, Photogether Gallery, Zlín, Czech Republic

2024 Creative europe Research grant - Research fellowship for the development of the experimental animated film Balagán, Barcelona, Spain

2025 Where there’s an outside there’s also an inside, Mom art space, Hamburg, Germany

2025 First Balatonalmádi Artists’ Residency

2025 The End, Spielzeug Gallery, New York, USA

https://www.artnews.com/art-news/news/spielzug-gallery-1-day-at-a-time-new-york-1234770906/

2026 KOZMOTHOROSZ, Kőbánya Underground festival, Budapest, Hungary

Collective Work and Collaborations

If There’s a Common Thread is an independent, international collective formed outside institutional frameworks, bringing together artists, art historians, curators, and social designers. Rather than being organized around a shared aesthetic program or ideological position, the collective is structured around

an open question: whether cohesion can emerge within a randomly assembled community, and how collective identity takes shape through practice. The group approaches its own functioning reflexively, examining its dynamics both from within and from a critical distance. A key project was a two-week collective residency realized in an underground atomic bunker in Zlín, where isolation, shared forums, and sustained co-thinking became formative experiences. The spatial and social conditions of this residency continue to inform my artistic practice, particularly in relation to collective authorship, endurance, and situated forms of thinking.

www.mutoproject.com

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